Pages

Showing posts with label Affinity Designer iPad. Show all posts
Showing posts with label Affinity Designer iPad. Show all posts

Tuesday, 25 May 2021

Orange Tip Butterfly


Orange tip butterfly, wild garlic and yellow archangel growing on the steep banks of a dingle near Hanley Child in Worcestershire. I always remember visiting this place below our farm as a child and I returned there a couple of weeks ago to take a few photos. The above illustration worked well, though my iPad struggled to cope with its complexity and so I called it a day when I could perhaps of refined it more. On the day I visited the location there was bright warm sunshine, the ground was very wet and the understory full of luscious vegetation beneath the trees. The aroma of the garlic filled the air along with the sound of the stream tumbling over several small waterfalls.


Tuesday, 27 April 2021

Green-veined White


I am not sure how I have missed this butterfly over the years. I have probably ignored the whites and so hadn’t spotted this right under my nose. This was seen in abundance in north Hertfordshire a couple of days ago. I had originally planned to do a drawing of the greater stitchwort and then progressed to include the celandines and bluebells. Also saw the following butterflies in the spring hedgerows: orange tip, a blue, brimstone and a peacock. This iPad illustration is so full of spring colours and I was very pleased with the way it turned out - capturing all the colour and vibrancy of a roadside verge on a clear sunny day.

 

Monday, 5 April 2021

Sowing Seeds


Sowing climbing bean seeds in the greenhouse yesterday.

 

Saturday, 3 April 2021

Wren


I spotted a wren on our patio amongst the pots of pansies so drew this. Affinity Designer on iPad.

 

Friday, 5 March 2021

Cow


 
Decided to draw a cow - it just appeared from a doodle.
 

Tuesday, 2 March 2021

Daffodils


Two daffodils. iPad illustration, Affinity Designer.



 

Wednesday, 15 July 2020

Walled Garden


The walled garden at The Whittern in Herefordshire where we stayed last week. The evening sunshine, when we had it, was wonderful and produced some gorgeous greens when the beech hedges were backlit. I captured the effect over a couple of evenings. I was just in time as the hedges were trimmed the day after I finished this.

Sunday, 24 May 2020

Cow Parsley


This picture was meant to be a couple having afternoon tea in a garden. However, I got stuck planning the illustration and deciding how to draw the characters. After spending a week or so doodling ideas I then decided to draw this. (Affinity Designer on iPad)

Thursday, 7 May 2020

Flower Lady


I wanted to do more of of an illustration as I hadn't used Affinity Designer for a while. I didn't really know where I was going with it and vector work seems much slower to do on the iPad, though there are advantages and it forces me to work in a different way. Not sure where the idea came from, I think it was a doodle I did one day.

Monday, 30 March 2020

Hills


It might be a while until I see some hills like this again so I thought I would draw some. Thinking about all the people in Worcestershire around Ludlow/Tenbury Wells who suffered from flooding and now have to cope with the lockdown.

Sunday, 23 February 2020

Still Life


When I pruned a rose bush in the garden a few weeks ago I kept the chunky stems and used them for a still life sketch. I initially set myself the challenge of spending only an hour doing this. However, sketching using vector shapes only proved slightly more tricky and, after a bit of tweeking and adding texture, I think this took a couple of hours. Used Affinity Designer on the iPad.


Sunday, 20 October 2019

Garden Animals


 A little exercise in line work. This evolved over a couple of weeks as it took quite a while deciding how to progress at various stages.

ma

Saturday, 5 October 2019

Oak tree


This picture was drawn to accompany the following observations made during a recent visit to Worcestershire. It took may hours to work out what to do and I had originally planned a black and white illustration. I am fairly happy with how it urned out though its complexity significantly slowed down my iPad which meant I struggled towards the end to tighten it up. I worked in Affinity Designer without a clear idea of where I wanted to go which again made it difficult.
The writing here was written mostly in-situ with later editing to aid readability.

A little after 7pm on a September evening and the sunlight catches the tops of the cider apples trees. There is a great majestic presence of an oak in the orchard. Towering above me with its solid deeply fissured trunk and heavy evenly spaced branches, the tree holds its great domed canopy over the smaller orchard trees. It isn't a solid network of leaves and branches but, one formed so it appears, of distinct clumps of leaves evenly spaced over the its outer perimeter. This allows the background sky to be seen as fragmented pale blue patches with developing creamy pink and grey clouds, each catching the last of the day’s sunlight.
There is complete stillness, not even the faintest of breath to persuade a leaf to move. The faint tapping of a woodpecker can be heard a little way away. The hum of a distant combine, crows, pigeons, chirping birds, sheep and an occasional dog create a subtle background ambience.
The neat rows of cider trees, some bearing bright green apples, others tinged with pink, line the hillside. This oak stands amidst them, possibly twenty times their age, as a reminder that the passing of time in nature is so different to our own lifespan and the changes man brings to a landscape.
Beneath the tree, acorns have fallen, landing on the carpet of soft mown grass, well kept to ease harvesting the apples later in the autumn when the trees are mechanically shaken and the apples swept off the ground by a tractor drawn harvester and loaded into trailers.
A tawny owl hoots. Colours around me change to reflect the more orange-gold light of the sun and, as dusk deepens, it fades to give a more even light that balances out the shadows.
I am surprised at how tall and open the tree is. The lowest branches are a good eight feet or so above the ground and there is no easily discernible browse line. It must have grown with relative ease in the clay rich soil near the bottom of this valley and out in the open too. Free from surrounding competition and with only a few signs of once broken branches it looks like it has had a good life.
A sudden rustling of the leaves around me comes as a surprise and then I feel the breeze around me too. The boughs catching the fading sun have turned to orange and the sunset is obscured by the apple trees. Clouds have taken on more coral colours, deepening with pinks blending into the cream. The breeze subsides, then returns in a more gentle manner before disappearing again to an almost imperceptible whisper. 
A flock of seagulls passes noisily overhead.
To leave a great tree like this must surely have been a sign of goodwill by the farmer. He has planted the apples leaving a gap in the rows for the tree. There is another oak about fifty meters away and I can’t recall many isolated trees like this around here. There are many in hedges such as the one on the top of the hill where I am camped or within woodland. I can't remember what these fields looked like before the orchard was planted. If I could remember back 50 years or so to my childhood I would have known. 
I look more closely at the evenly deeply fissured trunk and notice that at a height of around eight feet there are the stumps of branches that have been neatly sawn off. The lower branches were removed at some stage, presumably to allow orchard tractors to pass underneath without damage to either. This would account for the shape of the tree. The other tree nearby though, has no indication of this. Its shape is less of an umbrella, and more compact with a denser canopy. It has more lower branches close to the trunk thus you can't see up into the structure of the inner branches. I note that each tree is exactly in the middle of an apple tree row, so the orchard was laid out around the trees - well, give or take a couple of feet. I would have to talk to the farmer to clarify any of my observations. Agricultural practices can change quickly. These cider orchards may only be ten to fifteen years old so the oaks could see many more changes if they hung around for another hundred years or so.
As I walk away the nearly cloudless horizon has turned a definite pale orange colour. More orange than pink or green or blue. A bright pale orange, gradually deepening. A huge gentle arc across the whole field of view and over the silhouetted horizon of the western hills.

Across the valley on the opposite hillside, smoke from a bonfire hugs the ground for a mile or so, drifting gently down into the valley.
Another day has passed.

Sunday, 18 August 2019

Claas Lexion 750


This illustration took a while to think through and create. I drew the combine first then added the landscape, not being quite sure how the elements would blend together. On the whole I think it works. Affinity Designer on iPad Pro.

Sunday, 14 July 2019

Hogweed


Cardinal beetle on hogweed growing beside a field of beans.

Friday, 5 July 2019

Goat's Beard


After a few repairs to my bike I have been out exploring the countryside. The hedgerows are a full of colour and luscious growth and in the above picture I have tried to capture some of the plants I saw growing alongside a field of wheat. I particularly like the goat's beard whose seed heads are far more spectacular than those of a dandelion. Using Affinity Designer on the iPad is quite fiddly but the results are worth the effort. There are a few things I could have done to add more accuracy to the plants if I gave myself more time and had more confidence the iPad could cope with the complex image. It was beginning to struggle just a little bit.